with insights into the evolution of artistic styles represented in the museum. At the start of the text, the authors present a preface that outlines their intention to systematically study the paintings in the Louvre, addressing artists by their widely recognized names rather than official catalog labels. They emphasize the importance of critical analysis concerning the attribution of works, especially concerning Italian paintings, and the role of historical context in interpreting these art pieces. The introduction details the historical development of the Louvre as a royal collection, featuring anecdotes about significant monarchs, such as François I, who laid the foundation for the art collection, and provides brief insights into individual artists and their contributions within the museum’s esteemed collection. (This is an automatically generated summary.)